Miss Peregrine's Home For Peculiar Children

Miss Peregrine's Home For Peculiar Children

Prologue

I had just come to accept that my life would be ordinary when extraordinary things began to happen. The first of these came as a terrible shock and, like anything that changes you forever, split my life into halves: Before and After. Like many of the extraordinary things to come, it involved my grandfather,
Abraham Portman.

Growing up, Grandpa Portman was the most fascinating person I knew. He had lived in an orphanage, fought in wars, crossed oceans by steamship and deserts on horseback, performed in circuses, knew everything about guns and self-defense and surviving in the wilderness, and spoke at least three languages that weren’t English. It all seemed unfathomably exotic to a kid who’d never left Florida, and I begged him to regale me with stories whenever I saw him. He always obliged, telling them like secrets that could be entrusted only to me.

When I was six I decided that my only chance of having a life half as exciting as Grandpa Portman’s was to become an explorer. He encouraged me by spending afternoons at my side hunched over maps of the world, plotting imaginary expeditions with trails of red pushpins and telling me about the fantastic places I would discover one day. At home I made my ambitions known by parading around with a cardboard tube held to my eye, shouting, “Land ho!” and
“Prepare a landing party!” until my parents shooed me outside. I think they worried that my grandfather would infect me with some incurable dreaminess from which I’d never recover—that these fantasies were somehow inoculating me against more practical ambitions—so one day my mother sat me down and explained that I couldn’t become an explorer because everything in the world had already been discovered. I’d been born in the wrong century, and I felt
cheated.

I felt even more cheated when I realized that most of Grandpa Portman’s best stories couldn’t possibly be true. The tallest tales were always about his childhood, like how he was born in Poland but at twelve had been shipped off to a children’s home in Wales. When I would ask why he had to leave his parents, his answer was always the same: because the monsters were after him. Poland was simply rotten with them, he said.

“What kind of monsters?” I’d ask, wide-eyed. It became a sort of routine. “Awful hunched-over ones with rotting skin and black eyes,” he’d say. “And they walked like this!” And he’d shamble after me like an old-time movie monster until I ran away laughing.

Copyright © 2011 by Ransom Riggs